Opioid use disorder can encompass a number of behavioral, psychological, physiological, and interpersonal symptoms which collectively impair one’s functioning to different degrees. Of all the personal and societal problems associated with OUD, the most destructive and absolute is death. Given the caustic effects of OUD on quality of life and mortality, evidence-based pharmacotherapy and psychosocial interventions are necessary. It is the collective potential for buprenorphine to increase safety and concurrent cognitive-behavioral group therapy to address substance use triggers as well as (...) comorbid psychiatric conditions, which makes this combination particularly promising for RCT of effectiveness. The purposes of this article are to identify specific ethical issues which may hinder community partners from collaborating with clinical trialist wishing to conduct CBGT buprenorphine efficacy-effectiveness trials at their agency and provide some basic guidelines and methods for addressing these community partner ethical concerns. The purpose of the manuscript is to facilitate university and substance use/mental health center community collaborations that will result in ethical clinical trial methodology and findings that meaningfully translate to efficacious, effective, and generalizable CBGT and buprenorphine hybrid interventions for OUD. (shrink)

Première partie. De la question des mondes possibles aux présuppositions de la méta-éthique -- Deuxième partie. Différenciation logique et connaissance morale -- Troisième partie. Un paradigme pour penser les droits.

La science économique a toujours été réticente à l’égard du concept de pouvoir, qui ne saurait être opérationnalisé dans les modèles microéconomiques et qui justifierait des rationalisations ex post. Pourtant, le pouvoir est un vecteur d’institutionnalisation sociale que les économistes se doivent d’intégrer pour faire de la firme un objet de recherche de l’économie politique et réaliser de nouveaux progrès explicatifs. Partant, l’article ambitionne de proposer une analyse méthodologique renouvelée du pouvoir, lequel implique une structure collective tout en reposant sur (...) des individus acteurs. Fort de cette clarification conceptuelle, un essai de définition du pouvoir dans la firme est proposé : le pouvoir est la capacité latente (qui sera ou non exercée) d’une entité A à contraindre et à dessiner les choix d’une entité B de telle sorte que le comportement et les actions de B soient orientés dans un sens favorable à A, et ce par des mécanismes intrinsèques à la relation socioéconomique qui peuvent être formels ou informels. Une telle définition du pouvoir permet de reconsidérer l’agir transformatif dans la firme et de lier le pouvoir aux dispositifs relationnels des organisations du capitalisme. (shrink)

La science économique a toujours été réticente à l’égard du concept de pouvoir, qui ne saurait être opérationnalisé dans les modèles microéconomiques et qui justifierait des rationalisations ex post. Pourtant, le pouvoir est un vecteur d’institutionnalisation sociale que les économistes se doivent d’intégrer pour faire de la firme un objet de recherche de l’économie politique et réaliser de nouveaux progrès explicatifs. Partant, l’article ambitionne de proposer une analyse méthodologique renouvelée du pouvoir, lequel implique une structure collective tout en reposant sur (...) des individus acteurs. Fort de cette clarification conceptuelle, un essai de définition du pouvoir dans la firme est proposé : le pouvoir est la capacité latente (qui sera ou non exercée) d’une entité A à contraindre et à dessiner les choix d’une entité B de telle sorte que le comportement et les actions de B soient orientés dans un sens favorable à A, et ce par des mécanismes intrinsèques à la relation socioéconomique qui peuvent être formels ou informels. Une telle définition du pouvoir permet de reconsidérer l’agir transformatif dans la firme et de lier le pouvoir aux dispositifs relationnels des organisations du capitalisme. (shrink)

This paper argues that in order to understand West Indian economic underdevelopment, the saliency of the informal institutions that emerged during its colonial period and the effect these institutions have had on the emergence of a local entrepreneurial class can not be discounted. British colonial occupation, I contend, gave rise to two persistent informal institutions that have affected development: a belief in the ability and responsibility of government to direct the economy and pessimism regarding the possibility of entrepreneurial success. Relying (...) on Schumpeter’s discussion of the importance of entrepreneurs to economic development and North’s work on informal institutions, I examine how the poverty of entrepreneurs in the region and the cultures of corruption, privilege and intervention that evolved as a result of the region’s colonial experiences have hampered past efforts at development.Cet article soutient qu’afin de comprendre le sous-développement économique des Caraïbes, il est important de ne pas négliger la prédominance des institutions informelles qui ont émergé durant la période coloniale et l’influence que ces institutions ont eue sur l’émergence d’une classe entrepreneuriale locale. L’occupation coloniale britannique, selon l’auteur, a donné naissance à deux institutions informelles persistantes qui ont affecté le développement : une conviction dans la capacité et la responsabilité du gouvernement à diriger l’économie et un pessimisme vis-à-vis de la possibilité de succès entrepreneuriaux. En se fondant sur la théorie Schumpeterienne sur le rôle de l’entrepreneur dans le développement économique et sur les travaux de North concernant les institutions informelles, l’auteur examine comment la rareté des entrepreneurs dans la région et la corruption, les privilèges et les interventions qui ont évolué en résultat des expériences coloniales de la région, ont entravé les efforts de développement dans le passé. (shrink)

Les dynamiques industrielles du capitalisme sont liées aux transformations des structures organisationnelles de production. Ainsi, la firme verticalement intégrée à la Chandler s’est effacée au profit de firmes modernes désintégrées. Cette profonde transformation de l’environnement industriel, qui s’est manifestée dans les années 1980 et 1990, a conduit les firmes à développer de nouvelles stratégies de coopération inter-firmes et à faire émerger des formes de quasi-intégration verticale. L’objectif de cet article est d’analyser ces changements institutionnels à l’aune de la théorie économique. (...) L’article se focalise sur les travaux originaux de trois auteurs influents qui ont développé leur propre approche de la quasi-intégration dans la seconde moitié du xx e siècle : Williamson, Houssiaux et Blois. (shrink)

One of the most adroit movements of the ideological “establishment” in the United States is to have occupied the channels of communication between national groups of intellectuals. By this arbitrary maneuver a certain impression of isolation is given to those who have the forlorn courage to oppose prevailing intellectual idola. The reader may know about philosophical oppositions inside America, but he rarely hears about similar movements outside. Yet, ironically, these are alive and very eloquent.

À la suite du printemps arabe, nombre de citoyens des démocraties occidentales se sont regroupés sur les places publiques pour afficher ouvertement leur indignation par rapport aux dérives du système démocratique affaibli par un pouvoir financier grandissant. Ce texte retrace le chemin qui a amené les auteurs à investir l’espace public. Pensée comme un espace inclusif où le citoyen peut se réapproprier son pouvoir par la discussion, l’écoute et l’autoéducation au vivre ensemble, l’occupation se définit d’abord par sa pratique. Ce (...) sont en effet des moyens alternatifs, et novateurs qui sont mobilisés pour faire face à la crise environnementale, politique, économique et sociale que le système économique capitaliste néolibéral exacerbe. De nombreux outils : réseau social international, réunions, bulletin heb­domadaire, actions, émissions de radios, créés durant l’occupation permettent aujour­d’hui au mouvement de se renouveler dans le but de redonner légitimité et force au réel pouvoir politique démocratique. (shrink)

In his valuable contribution to the Fondation Hardt Entretiens of 1960 on Hesiod Professor La Penna dealt with the famous ‘theodicy of labour’ in Virgil, Georgics I. 118–59. He recalled that, whereas Hesiod made Prometheus' trickery the reason for Zeus' hiding fire and the other goods and so rendering labour necessary, Virgil omits mention of Prometheus or of any element of guilt.

In C.Q. xliii , p. 39, Mr. J. H. Quincey quotes the opening lines of Catalepton 5 as, Ite hinc,-inanes, ite, rhetorum ampullae, inflata rhoso* non Achaico verba, and adds, ‘the second line is corrupt and no satisfactory emendation has been proposed’. The MS. readings are: rhorso B, roso Mu, om. in lacuna Ar. In face of these voces nihili many have fallen back on the rore of the Aldine edition of 1517. But this does not really help, for one (...) does not inflate with dew: orators are not dew-bags, but wind-bags. It occurred to me some years ago that what is needed is some word meaning breath or wind to go with inflata, and that in view of the rh in rhorso it was probably a Greek word which a scribe had failed to recognize. I conjectured οζ, and found subsequently that this had been proposed by K. Münscher in Hermes, xlvii , pp. 153–4. οȋζος used of any rushing sound, is applied to speech by Philostratus , and by Pollux . It is easy to see how rhoezo could degenerate into rhoeso-rhoso-roso. (shrink)

Virgil's fourth Eclogue is one of the most quoted, adapted and discussed works of classical literature. This study traces the fortunes of Eclogue 4 in the literature and art of the Italian Renaissance. It sheds new light on some of the most canonical works of Western art and literature, as well as introducing a large number of other, lesser-known items, some of which have not appeared in print since their original publication, while others are extant only in manuscript. Individual (...) chapters are devoted to the uses made of the fourth Eclogue in the political panegyric of Medici Florence, the Venetian Republic and the Renaissance papacy, and to religious appropriations of the Virgilian text in the genres of epic and pastoral poetry. The book also investigates the appearance of quotations from the poem in fifteenth- and sixteenth-century fresco cycles representing the prophetic Sibyls in Italian churches. (shrink)

As in literature poetry precedes prose, so in poetry a special and ‘heightened’ diction seems to precede everyday language. Mr.T.S.Eliot has put it thus: ‘Every revolution in poetry is apt to be, and sometimes to announce itself as, a return to common speech.’ How does this apply to Greek and Latin ? There are objections to considering words in isolation from this point of view, since neutral ones are apt to go now grey, now purple, according to their company; but (...) if we do not do so, we deny ourselves the only considerable method of investigation that is still open to us. Again, we must recognize that most poems are composed largely of ordinary words, though these are often used in a way that is not ordinary. (shrink)

In C.Q. xxiii. 2 Dr. C. M. Bowra examined the Ennian phrases in the Aeneid which Virgil adopted but transformed. Bowra, whose object was to investigate the reasons which led Virgil to make slight changes in these echoes, naturally had nothing to say about those borrowings which remained unaltered in Virgil. Of these, perhaps the most striking is the allusion to Q. Fabius Maximus Cunctator in v. 846 above. The following points can be noted about the line: (...) 1. It is not a subconscious, or apparently purposeless, reminiscence of familiar words, a habit of which the best-known example is Aen. vi. 460, invitus, regina, tuo de litore cessi, cf. Cat. lxvi. 39. (shrink)

In Virgil's third eclogue, the goatherd Menalcas responds to his challenger Damoetas by offering as his wager in their contest of song a pair of embossed cups,caelatum diuini opus Alcimedontis, decorated with a pattern of vine and ivy. In the middle of this design, he says, are two figures. One is the astronomer Conon, and the other—at this point Menalcas, afflicted with a sudden loss of memory, professes to have forgotten the name of the second figure, and breaks off (...) into a question :quis fuit alter, | descripsit radio totum qui gentibus orbem, | tempora quae messor, quae curuus arator haberet?Various candidates for the identity of this second astronomer have been suggested, one of the most favoured being Eudoxus of Cnidus, whosePhaenomenahad been versified by the Hellenistic poet Aratus. In 1930 it was proposed by Léon Herrmann that Menalcas in fact answers his own question in his reference tocuruUS ARAToratEcl.3.42: the solution to Virgil's riddle is already written into the question, in the form of the anagram ofAratusconcealed within these two words. Strictly speaking, Hermann notes only that ‘Aratorau v. 42 évoque le nom d’Aratos’; he and later exponents of the theory tend to ignore the preceding ‘-us’—but there seems no reason to exclude it if an allusion to the Greek poet is to be seen in the two following syllables. (shrink)

In a recent article JRS , 68 f. Nicholas Horsfall sought to demonstrate that Corythus, which Virgil makes the original home of Dardanus , should be identified with Tarquinii, some 50 miles north-west of Rome, on the coast of Etruria, rather than with Cortona, roughly twice as far away, to the north, and inland. In doing so he expressed surprise that the Virgilian evidence should have been completely ignored by previous writers on the subject : and, using the Aeneid (...) as the main source on which his own argument was based, he supported his conclusion with a careful examination of several other aspects of the problem. (shrink)

In a recent article JRS, 68 f. Nicholas Horsfall sought to demonstrate that Corythus, which Virgil makes the original home of Dardanus, should be identified with Tarquinii, some 50 miles north-west of Rome, on the coast of Etruria, rather than with Cortona, roughly twice as far away, to the north, and inland. In doing so he expressed surprise that the Virgilian evidence should have been completely ignored by previous writers on the subject : and, using the Aeneid as the (...) main source on which his own argument was based, he supported his conclusion with a careful examination of several other aspects of the problem. (shrink)

Editors who profess to interpret these lines, while reaching agreement on some few points of detail, concur chiefly in a somewhat irritable half-confession of puzzlement and not unnatural tendency to avenge their smart on the poet's broader back. Hence the suggestions of historical misrepresentation and dramatic confusion, the hypothesis of a late recension, and other well-worn devices of commentatorial window-dressing. A task more likely to be of value to the study of the Georgics is to explore this short, compact poem (...) for that unifying principle among the multiplicity of details, in accordance with which the triumphator and the temple-builder, the Greek festival and the Italian venue, the lightness of allegory and the ponderous literalism of the Via Sacra, Virgil and Octavian each perform their different functions and move in harmony with the whole poetic plan. (shrink)

The identification of Daphnis with Julius Caesar, supported in most detail by Servius of the ancient commentators, has in general been either casually accepted or arbitrarily rejected by modern criticism without serious effort to ascertain how far the probabilities point one way or the other.

In Book 10 of the Aeneid, Virgil presents an epic catalogue of Etruscan allies who return under Aeneas' command to the beleaguered Trojan camp, including the forces from Liguria. The account of the Ligurians initially conforms to the general pattern of the catalogue, as Virgil briefly introduces and describes the two leaders. But the description of Cupauo's swan-feather crest leads to a digression about the paternal origins of the avian symbol. Cupauo's father Cycnus, stricken with grief for his (...) beloved Phaethon, was transformed from a mournful singer into the swan that bears his name : non ego te, Ligurum ductor fortissime bello,transierim, Cinyre, et paucis comitate Cupauo,cuius olorinae surgunt de uertice pennae formaeque insigne paternae.namque ferunt luctu Cycnum Phaethontis amati,populeas inter frondes umbramque sororum 190dum canit et maestum Musa solatur amorem,canentem molli pluma duxisse senectamlinquentem terras et sidera uoce sequentem. Virgil not only places the Ligurians in a central position within the catalogue, but also devotes more verses to them than to any other contingent, including his own Mantuans. At the very heart of this prominent passage lies the embedded tale of Cycnus, the erotic and sorrowful centrepiece of Virgil's Etruscan catalogue. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Virgil and the ModernsMichael L. HallVirgil and the Moderns, by Theodore Ziolkowski; xv & 274 pp. Princeton: Princeton University Press, 1993, $35.00.Theodore Ziolkowski’s Virgil and the Moderns is a wonderful book. Everyone interested in modern literature and the western cultural heritage should read it. Ziolkowski does much more than tell us about Virgil and his influence on modern authors and readers; he traces the Latin (...) poet’s appeal from the nineteenth century forward, focusing on different national trends and responses to the Roman past. His book is a veritable education in modern literature and cultural history.In the introductory chapter Ziolkowski situates Virgil in the twentieth century, with references to the Virgilian epigraph on the title page of Freud’s The Interpretation of Dreams (1900) and the Virgilian motto to the first volume of Toynbee’s A Study of History (1934). Ziolkowski concentrates attention, in fact, on the appeal to Roman history in many early twentieth-century historians, and he explores the various European and American reactions to the bimillennial celebrations in 1930 of Virgil’s birth. Like the Bible, the Roman past seems to speak directly to a great variety of points of view: “Roman history, properly comprehended in its broad outlines, is and remains the best teacher not only for today, but indeed for all times”; thus opined the author of Mein Kampf.Ziolkowski’s second chapter, “The Ideological Lives,” begins by observing that “every biography is ideological” and quoting Duane Reed Stuart’s comment that “Every age has tended to fashion a Virgil after its own image.” Ziolkowski tests this proposition against the many “modern” biographies of Virgil that appeared in the nineteenth and twentieth centuries, especially during the bimillennial celebrations. In Italy he finds Virgil described as “a Latin nationalist with conservative messages for the present on government and agriculture”; in France he discovers “a protofascist emerging from the bohemian life of the rive gauche of ancient Rome”; in Germany he encounters “an agrarian anima naturaliter christiana destined to become Father of the West in opposition to the rise of Nazism”; and in Latin America he sees that Virgil has become “an apostle of peace among the pagans with the providential mission to serve the generations as a pedagogue for Christ.”In the five chapters that follow, Ziolkowski shows that these various versions of Virgil’s life and influence resulted in a similar diversity of literary manifestations. In Europe, each country found a Virgil suited to its own preoccupations and prejudices. A rich and indeed overwhelming curriculum in modern literature could be constructed from the authors and texts Ziolkowski discusses in these brief surveys of works influenced by Virgil’s poetry. But although he is a deft literary critic, Ziolkowski goes further, to trace biographical and cultural influences. We discover, for example, that Gide was obsessed with the Eclogues, that it was the Georgics that Mr. Carmichael “liked to lie awake a little reading” in Woolf’s To the Lighthouse, and that Joe Paterno’s first and most enduring hero [End Page 175] was Virgil’s Aeneas, “to whom he was introduced by his high school Latin teacher at Brooklyn Prep.”I confess that my favorite parts of the book were the chapters on Virgil in Britain and the “New World.” I thought I was a pretty good student of the classics and of British and American literature, but I am ashamed to admit how much I learned from Ziolkowski’s discussions of Virgil’s influence on Virginia Woolf, T. S. Eliot, and Cyril Connolly, on Willa Cather and Robert Frost, on Archibald MacLeish, Allen Tate, and Robert Lowell. Ziolkowski is a treasure, and he has given us a rare treat in this very thoughtful study of the way our cultural inheritance is passed on and reaffirmed. As he himself remarks in the book’s final sentences on the ties that bind us to Virgil and our common past: “This reaffirmation, attained at the cost of great spiritual engagement by our intellectual predecessors, we neglect today at our peril.”Michael L. HallAlexandria, VirginiaCopyright © 1995 The Johns Hopkins University Press... (shrink)

The inspiration for this paper came rather unexpectedly. In February 2006, I made the long trip from my home in Sioux City, Iowa, to Torino, Italy in order to witness the Olympic Winter Games. Barely a month later, I found myself in California at the newly-renovated Getty Villa, home to one of the world's great collections of Greco-Roman antiquities. At the Villa I attended a talk about a Roman mosaic depicting a boxing scene from Virgil's Aeneid. The tiny tiles (...) showed not only two boxers, but a wobbly looking ox. ‘What is wrong with this ox?’ asked the docent. ‘Why is he there at the match?’ The answer, of course, is that he is the prize. And the reason he is wobbly is because the victor has just sacrificed this prize to the gods in thanksgiving, by punching him between the eyes. A light went on in my head; I turned to my husband and whispered, ‘Just like Joey Cheek in Torino.’ My husband smiled indulgently, but my mind was already racing. I realized that by donating his victory bonus to charity, Cheek had tapped into one of the oldest and most venerable traditions in sport: individual sacrifice for the benefit of the larger community. It is a tradition that derives from the religious function of the ancient Olympic Games and it deserves to be revived the modern world. (shrink)

SIMPLE SEEING I met Virgil Aldrich for the first time in the fall of 1969 when I arrived in Chapel Hill to attend a philosophy conference. My book, Seeing and Knowing,1 had just appeared a few months earlier.